Join us on Sunday, December 16th for a throwback to the ’70s! There will be prizes, beer, and of course, we’ll be showing Saturday Night Fever so come dressed to impress. There will be prizes for the best 70’s inspired costumes. Doors open at 6:00 pm and the movie will
Polanski knows how to make a hell of a genre film (Rosemarys Baby, anyone?), and this, his take on the political thriller, is no exception. Dont be surprised if you see the director accepting awards from his prison cell.
SUNDAY NIGHT GEEK NIGHT Stuff your Transformers in a cube of energon, cause weve got a real sight for sore optical receptors: the GoBots, and their valiant struggle to save the noble Rock People. Starring the voices of Telly Savalas, Margot Kidder and Roddy McDowall? Yup.
Dakota Fanning is now old enough to play Cherie Currie (opposite Kristen Stewarts Joan Jett) in this coming-of-age biopic of groundbreaking girl-rock band The Runaways. Does that make you feel old, too?
Fuqua (Training Day) directs this interconnected police-procedural triptych like Robert Altman with a nightstick, and ensnares a first-rate cast [Richard Gere, Don Cheadle, Ethan Hawke, Wesley Snipes and others] in a dramatic dragnet for a fugitive moral lesson. (Variety)
OTTAWA PREMIERE Watch out, Tommy Wiseau! The newly-anointed best worst movie finally wings its way to the Mayfair to claw at the eyes of Ottawa audiences. If this is a joke, its the Kennedy assassination of jokes. (Vice Magazine)
OTTAWA PREMIERE Master documentarian Wiseman (Titicut Follies) tracks seven Paris Opera Ballet productions simultaneously in this on-point doc that pirouettes around issues of commerce and art and jetés between moments mundane and profound to produce something astoundingly beautiful. (San Francisco Chronicle) English subtitles
This month, Saturday Night Sinema puts its finger on the racing pulse of the counter-culture with an ultra-rare treat. Master of Eurotic cinema Metzger suggests more than he shows in his hep-cat update of Bizets opera, but rest assured: this is one sassy, seductive flick.
Pound for pound, this is the best Chuck Norris film of the 80s. Why? Because of director Andrew Davis, who would go on to helm Under Siege and The Fugitive! Norris plays tough-as-nails cop Eddie Cusack, who’s caught in the middle of a gang war, and ready to roundhouse-kick his
For a public figure, Glenn Gould was an intensely interior person, but Genius Within digs deep, interviewing members of Gould’s intimate circle and unearthing rare footage of the man at work and play [making this] the most complete portrait yet of this complex artist. (Toronto Star) 0