Movies

Billy Bishop Goes To War

OFFICIAL SELECTION, TIFF 2011 Director Sweete reunites actor Eric Peterson and writer/composer John Gray for a luminous filmed production of their iconic play about Canada’s most celebrated WWI flying ace. Even after playing the part for 30 years, “Peterson’s frantic, charismatic performance captures the giddy, hallucinatory velocity of war.” (Globe

Beyond The Myth

PRESENTED BY THE DOG LEGISLATION COUNCIL OF CANADA A film about pit bulls and those who love and defend them, Beyond the Myth explores the public’s generalized fear of the dogs and the conflict between advocates and opponents of Breed Specific Legislation — and asks, “What exactly is a pit

Anonymous

Before the Michael Bay era, it was easy to dismiss Independence Day director Roland Emmerich. But now, by comparison, he looks suspiciously like a real director, and this — his explosive, melodramatic exploration of the Shakespeare authorship question — is a thoroughly entertaining two hours’ (and ten minutes’) traffic on

Beetlejuice

ARIDO EOC Movie Night at the Mayfair & Art Auction! All proceeds from the art auction to be donated to Project Upstream The spirits of a deceased couple are harassed by an unbearable family that has moved into their home, and hire a malicious spirit to drive them out.

Skin I Live In, The

Doesn’t invulnerable skin sound like the perfect metaphor for someone like Pedro Almodóvar to base a sci-fi thriller on? He thought so, too. “A film you’ll tell your friends they absolutely must see.” (Salon) English subtitles.

Down The Road Again

Pete (Doug McGrath, reprising the role he originated 40 years ago) heads out on the road again — this time to return his friend Joey’s ashes to Nova Scotia. “Honours the memory of the original quite well and… [brings] to a close one of the most touching stories of our

Goin’ Down the Road

Friends Pete and Joey leave Nova Scotia in hopes of finding a better life in Toronto  (they don’t) in this landmark Can-con/neorealist time capsule. “A story that contains joy, silliness, love and despair… [and] achieves a documentary objectivity that touches us… deeply… [it’s] about hard times here and now, and

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