Movies

Skatetown U.S.A.

PRESENTED BY RIDEAU VALLEY ROLLER GIRLS Before Patrick Swayze danced dirtily, and while Scott Baio was in the midst of his Happy Days teen idol mega-fame, they co-starred in this, the rock-and-roller-disco movie of the 1979!

Shadow of a Doubt

Hitchcock finds noir shadows in sunny small-town America in this tale of a young woman (Teresa Wright) who comes to suspect that her visiting Uncle Charlie (Joseph Cotton) may be considerably less charming than he seems. Co-written by Thornton Wilder (Our Town), Shadow of a Doubt is a direct ancestor

Shadow of a Doubt

Hitchcock finds noir shadows in sunny small-town America in this tale of a young woman (Teresa Wright) who comes to suspect that her visiting Uncle Charlie (Joseph Cotton) may be considerably less charming than he seems. Co-written by Thornton Wilder (Our Town), Shadow of a Doubt is a direct ancestor

Rope

As an intellectual exercise, two young men murder a classmate. Then, with the body still in their apartment, they throw a dinner party. Unfortunately for them, they invite Jimmy Stewart. The entire story unfolds in a single, seamless shot, but this masterful study in mounting tension is no gimmick.

Rope

As an intellectual exercise, two young men murder a classmate. Then, with the body still in their apartment, they throw a dinner party. Unfortunately for them, they invite Jimmy Stewart. The entire story unfolds in a single, seamless shot, but this masterful study in mounting tension is no gimmick.

Queen of the Sun: What Are the Bees Telling Us?

OTTAWA PREMIERE This doc, “a creative exploration of the global honeybee crisis replete with remarkable nature cinematography, some eccentric characters and yet another powerful argument for organic, sustainable agriculture,” (Variety) may be a bee movie, but rest assured: it’s no B-movie.

Queen of the Sun: What Are the Bees Telling Us?

OTTAWA PREMIERE This doc, “a creative exploration of the global honeybee crisis replete with remarkable nature cinematography, some eccentric characters and yet another powerful argument for organic, sustainable agriculture,” (Variety) may be a bee movie, but rest assured: it’s no B-movie.

Psycho

Friday afternoon: “Oh, we have twelve vacancies. Twelve cabins, twelve vacancies.” Friday evening: “A boy’s best friend is his mother.” Saturday morning: “Oh, we have twelve vacancies. Twelve cabins, twelve vacancies.”

Phil Ochs: There But For Fortune

Director Bowser’s (Easy Riders, Raging Bulls) “essential portrait of an artist who ought to be far better known” (EW) hears from Ochs’ family, friends and admirers (including Joan Baez, Pete Seeger, Sean Penn, Billy Bragg, and Christopher Hitchens), but also lets Ochs music speak for itself — so you can

Man Who Knew Too Much, The

Hitchcock’s remake of his own 1934 film casts Jimmy Stewart as the vacationer who stumbles upon an assassination plot and must try to prevent it single-handedly. One of the greatest chase films ever made, this is a good argument for returning to the scene of the crime.

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