As an intellectual exercise, two young men murder a classmate. Then, with the body still in their apartment, they throw a dinner party. Unfortunately for them, they invite Jimmy Stewart. The entire story unfolds in a single, seamless shot, but this masterful study in mounting tension is no gimmick.
OTTAWA PREMIERE This doc, a creative exploration of the global honeybee crisis replete with remarkable nature cinematography, some eccentric characters and yet another powerful argument for organic, sustainable agriculture, (Variety) may be a bee movie, but rest assured: its no B-movie.
OTTAWA PREMIERE This doc, a creative exploration of the global honeybee crisis replete with remarkable nature cinematography, some eccentric characters and yet another powerful argument for organic, sustainable agriculture, (Variety) may be a bee movie, but rest assured: its no B-movie.
Friday afternoon: Oh, we have twelve vacancies. Twelve cabins, twelve vacancies. Friday evening: A boy’s best friend is his mother. Saturday morning: Oh, we have twelve vacancies. Twelve cabins, twelve vacancies.
Director Bowsers (Easy Riders, Raging Bulls) essential portrait of an artist who ought to be far better known (EW) hears from Ochs family, friends and admirers (including Joan Baez, Pete Seeger, Sean Penn, Billy Bragg, and Christopher Hitchens), but also lets Ochs music speak for itself so you can
Hitchcocks remake of his own 1934 film casts Jimmy Stewart as the vacationer who stumbles upon an assassination plot and must try to prevent it single-handedly. One of the greatest chase films ever made, this is a good argument for returning to the scene of the crime.
An inventive twist on the haunted-house movie, Insidious has some of the most shivery and indelible images in any horror film in decades. [It] reaches back to the stately spookiness of Carnival of Souls and early David Lynch to conjure up a vision of hell that is terrifying in its
OSCAR WINNER BEST FOREIGN LANGUAGE FILM Tracking two stories of schoolyard bullying in Denmark and tribal violence in Africa simultaneously, this tale of the bonds of family and humanity is a powerful contemporary drama there’s no denying the sheer dramatic intensity [director] Bier achieves. (Variety) English subtitles
OSCAR WINNER BEST FOREIGN LANGUAGE FILM Tracking two stories of schoolyard bullying in Denmark and tribal violence in Africa simultaneously, this tale of the bonds of family and humanity is a powerful contemporary drama there’s no denying the sheer dramatic intensity [director] Bier achieves. (Variety) English subtitles
Director Mitchell (Rabbit Hole) dragged himself onscreen to star in his first feature, an anatomically incorrect rock odyssey that is irrepressible, weaving consistently infectious and memorable songs through an operatic tale that’s by turns playful, witty, and disarmingly emotional. (A.V. Club) Probably the best modern musical you will ever see.