Movies

Man Who Knew Too Much, The

Hitchcock’s remake of his own 1934 film casts Jimmy Stewart as the vacationer who stumbles upon an assassination plot and must try to prevent it single-handedly. One of the greatest chase films ever made, this is a good argument for returning to the scene of the crime.

Insidious

An inventive twist on the haunted-house movie, Insidious “has some of the most shivery and indelible images… in any horror film in decades. [It] reaches back to the stately spookiness of… Carnival of Souls and… early David Lynch to conjure up a vision of hell that is terrifying in its

In A Better World

OSCAR WINNER — BEST FOREIGN LANGUAGE FILM Tracking two stories — of schoolyard bullying in Denmark and tribal violence in Africa — simultaneously, this tale of the bonds of family and humanity is “a powerful contemporary drama… there’s no denying the sheer dramatic intensity [director] Bier achieves.” (Variety) English subtitles

In A Better World

OSCAR WINNER — BEST FOREIGN LANGUAGE FILM Tracking two stories — of schoolyard bullying in Denmark and tribal violence in Africa — simultaneously, this tale of the bonds of family and humanity is “a powerful contemporary drama… there’s no denying the sheer dramatic intensity [director] Bier achieves.” (Variety) English subtitles

Hanna

The director of Atonement and Pride and Prejudice shifts gears dramatically to bring us the story of a 16-year-old (Saiorse Ronan) raised by her father (Eric Bana) to be a perfect assassin. Not great parenting, but a great setup for “a delirious fairy-tale/action mashup… [that’s] undeniably exciting to watch.” (Salon)

Hanna

The director of Atonement and Pride and Prejudice shifts gears dramatically to bring us the story of a 16-year-old (Saiorse Ronan) raised by her father (Eric Bana) to be a perfect assassin. Not great parenting, but a great setup for “a delirious fairy-tale/action mashup… [that’s] undeniably exciting to watch.” (Salon)

Certified Copy

BEST ACTRESS — CANNES 2010 This riddle of a love story wrapped in a mystery follows two seeming strangers (William Shimmell and Juliette Binoche) who spend a day together pretending to be married. But pretend or not — and that’s the question — their relationship has a “slow-building, eventually overwhelming

Certified Copy

BEST ACTRESS — CANNES 2010 This riddle of a love story wrapped in a mystery follows two seeming strangers (William Shimmell and Juliette Binoche) who spend a day together pretending to be married. But pretend or not — and that’s the question — their relationship has a “slow-building, eventually overwhelming

Beauty Day

OTTAWA PREMIERE | OFFICIAL SELECTION — HOT DOCS 2010 Before Jackass and Tom Green, there was Ralph Zavaldi, who weekly risked life, limb and common sense as “Cap’n Video.” Then he broke his neck. And got cancelled. And got arrested. Now, he’s back, in this “sidesplittingly funny and remarkably touching

Attenberg

OTTAWA PREMIERE | BEST ACTRESS — VENICE FILM FESTIVAL 2010 As her father enters the final stages of a terminal illness, a naïve young woman begins exploring her own sexuality — through the BBC nature documentaries of David Attenborough. “Boldly conceived [and] heavily stylized” (Slant), this is a great entry

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