Archive for March, 2009

RiP: A Remix Manifesto at the Mayfair

RiP: A Remix Manifesto
Copyleft manifesto
Meg Hewings

RiP: A Remix Manifesto hits the Mayfair

Montreal filmmaker Brett Gaylor’s doc RiP: A Remix Manifesto is the first open-source film to be made about copyright, and is actually more of an ardent manifesto about why Canada – and the world – should be more copyleft.The web activist describes the film as something akin to throwing “a Molotov cocktail in the middle of [the debate over copyright].” He hopes it will galvanize people on all sides of the copyright clash.

Featuring interviews with everyone from a single mom taken to court by the Recording Industry Association of America for illegal downloading to remix DJ Girl Talk, the film features plenty of copyrighted material and is meant to challenge the bounds of fair use.

“A year ago no one had heard of Girl Talk. Recently, he was in a huge Microsoft ad with Jerry Seinfeld. I guess Microsoft doesn’t know he’s flouting the same copyright laws they lobby the world to try and implement!”

The film explores the complexities of intellectual property in the era of Napster, BitTorrent and file sharing. It also features interviews with Lawrence Lessig, who founded Creative Commons, and travels to Brazil to meet Gilberto Gil, a musician and the country’s Minister of Culture, who proves that countries can adopt an open source philosophy in everything from government to music.

“There are a lot of artists who are wondering how they can make a living in a world where anyone can get anything for free, and there are a lot of people unsure of the law. People are going to disagree with me, but that’s great – as long as people begin to talk about this issue, that’s what matters.”

A mash-up in itself, Gaylor has spent the last year editing and compiling the film, inviting everyone to participate in the remix, as well as add original material, at www.opensourcecinema.org.

“The hope is that people will participate in the conversation, continue to help re-edit and remix the film online, and that it will show up in the copies we take with us to future festivals.”

RiP: A Remix Manifesto @ Mayfair Theatre March 27-31

Who Does She Think She Is? two nights only!

Five women and the delicate art of balance

Documentary sheds light on women juggling art and motherhood

= 460)
{
imgBox.className = ‘imagesize460′;
}
else
{
if(photo.width >= 300)
{
imgBox.className = ‘imagesize310′;
}
else
{
imgBox.className = ‘imageboxpadding’;
}
imgBox.style.width = photo.width + ‘px’;
}
}
}
function getStoryFontSize() {
var storyfontsize = getCookie(’storyfontsize’);
var storyfontimage = getCookie(’storyfontimage’);

// use cookied value, if present
if (storyfontsize != null)
{
setClass(’story_content’,storyfontsize);
if (storyfontimage != null)
{
setClass(’fontsizecontainer’,storyfontimage);
}
}
else // default it to para14 if no cookie
{
setClass(’story_content’,'para14′);
setClass(’fontsizecontainer’,’size02′);
}
}
function setStoryFontSize(storyfontsize,storyfontimage) {
setClass(’story_content’,storyfontsize);
setClass(’fontsizecontainer’,storyfontimage);
setCookie(’storyfontsize’, storyfontsize, ‘365′, ‘/’, ”, ”);
setCookie(’storyfontimage’, storyfontimage, ‘365′, ‘/’, ”, ”);
}
function setCookie( name, value, expires, path, domain, secure ) {
// set time
var today = new Date();
today.setTime( today.getTime() );

if ( expires )
{
expires = expires * 1000 * 60 * 60 * 24; //days
}
var expires_date = new Date( today.getTime() + (expires) );

document.cookie = name + “=” + escape( value ) +
( ( expires ) ? “;expires=” + expires_date.toGMTString() : “” ) +
( ( path ) ? “;path=” + path : “” ) +
( ( domain ) ? “;domain=” + domain : “” ) +
( ( secure ) ? “;secure” : “” );
}
function getCookie( check_name ) {
// split this cookie up into name/value pairs
var a_all_cookies = document.cookie.split( ‘;’ );
var a_temp_cookie = ”;
var cookie_name = ”;
var cookie_value = ”;
var b_cookie_found = false; // set boolean t/f default f

for ( i = 0; i 1 )
{
cookie_value = unescape( a_temp_cookie[1].replace(/^\s+|\s+$/g, ”) );
}
// note that in cases where cookie is initialized but no value, null is returned
return cookie_value;
break;
}
a_temp_cookie = null;
cookie_name = ”;
}
if ( !b_cookie_found )
{
return null;
}
}

// –>

Who Does She Think She Is? ****

Directed by: Pamela Tanner Boll and Nancy C. Kennedy (documentary)

Playing at: Mayfair Theatre, March 8 and 9

Special attraction: Director Pamela Boll will be in attendance at the 7 p.m. screening Sunday.

In the documentary film Who Does She Think She Is?, a couple of guys are stopped outside an art museum and asked if they can name five female artists.

One of them begins to stumble out an answer. The other one just says, “No.”

Few people can: women comprise 80 per cent of the students in art classes but only 20 per cent of working artists. At the Guggenheim Museum in New York City, only 11 per cent of the collection is by women; at the Tate Modern in London, it’s two per cent. Women in general earn two-thirds of what men do in the U.S., but female artists earn only one-third.

All of this is part of what Who Does She Think She Is? is about, the background noise to the stories of five female artists — four visual artists and a singer — who are trying to make their way in the world, often balancing art and motherhood. The title is repeated several times in the film, occasionally ironically.

Co-directors Pamela Tanner Boll and Nancy C. Kennedy have assembled a lively and diverse group whose experiences are a lot closer to the ground than you might expect. Janis Wunderlich, for instance, is a wife, mother, and world-class sculptor living in Columbus, Ohio, with her husband and five children.

After seeing her kids off to school, she plays with her two youngest girls, then takes the toddler to preschool, times the trip home so that the infant will be asleep, and then has what she calls “my special, beautiful time” in the studio. Sometimes she gets an hour.

In that time, she produces whimsical pieces of fairy tale sculpture, some of them showing women with dozens of little babies attached to them from head to foot. Some of the women have two heads, representing what she calls her good and bad sides.

We also meet Maye Torres, who lives in the wilds near Taos, New Mexico, where she produces sculptures and drawings. She has three sons and lives on $24,000 a year. “I was really torn because I wanted to dedicate myself to my kids, but I wanted to be in the studio all the time,” she says. She is divorced.

The stories are both ordinary and surprising: for instance, two of the women profiled are very religious. A professional singer named Angela Williams was also co-pastor with her husband of a church, and Wunderlich is a Mormon whom we see telling a rambunctious child with a toy bow and arrow, “There is absolutely no weaponage at the dinner table.”

The movie weaves their stories with expert opinion about the history of female power, some of it illustrated with old TV footage or clips from movies. Watching a young woman kneel with moony adoration beside a man as he plays the piano in the 1948 Joan Fontaine-Louis Jourdan movie Letter from an Unknown Woman speaks volumes about the way women were viewed as accessories in the world of ideas.

Who Does She Think She Is? is something of a feminist call to arms to correct an injustice, but it is not a manifesto. It makes its case with telling detail, mostly in the lives of the artists it profiles, people like Japanese-born artist Mayumi Oda. She talks about how her devotion to her art eventually led to her split from her husband. “I need a wife,” he told her and Oda remembers that she replied, “I need a wife, too.”